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  • © 2011

Key Concepts in Theatre/Drama Education

  • Written by experts, Gives a modern approach, Comprehensive in Scope

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Table of contents (57 chapters)

  1. Front Matter

    Pages i-xi
  2. Opening

    1. Front Matter

      Pages 1-1
    2. An Identity Card In The Making

      • Shifra Schonmann
      Pages 3-9
  3. Learning, Teaching, Curricula and Teacher Education

    1. Front Matter

      Pages 11-11
    2. Emma’s Dilemma

      • John O’Toole
      Pages 13-17
    3. What Makes A Great High School Drama Teacher?

      • Debra Mclauchlan
      Pages 39-44
  4. Aesthetics and Ethics

    1. Front Matter

      Pages 45-45
    2. Negotiating Aesthetics and Culture

      • Amy Cordileone
      Pages 53-57
    3. Transformation

      • Anna-Lena Østern
      Pages 59-63
    4. Distancing

      • Stig A. Eriksson
      Pages 65-71
    5. Ethics in Theatre/Drama Education

      • Viviana Nicoleta Ferrari
      Pages 73-77
  5. Identity, Culture and Community

    1. Front Matter

      Pages 79-79
    2. Power And Community In Drama

      • Bethany Nelson
      Pages 81-85
    3. Towards a Pedagogy Of Transformance

      • Dan Baron Cohen
      Pages 87-91
    4. Theatre is Hope, Theatre is Freedom

      • Sanjoy Ganguly
      Pages 93-98

About this book

Key Concepts in Theatre Drama Education provides the first comprehensive survey of contemporary research trends in theatre/drama education. It is an intriguing rainbow of thought, celebrating a journey across three fields of scholarship: theatre, education and modes of knowing. Hitherto no other collection of key concepts has been published in theatre /drama education. Fifty seven entries, written by sixty scholars from across the world aim to convey the zeitgeist of the field. The book’s key innovation lies in its method of writing, through collaborative networking, an open peer-review process, and meaning-making involving all contributors. Within the framework of key-concept entries, readers will find valuable judgments and the viewpoints of researchers from North and South America, Europe, Asia, Africa, New Zealand and Australia. The volume clearly shows that drama/theatre educators and researchers have created a language, with its own grammar and lucid syntax. The concepts outlined convey the current knowledge of scholars, highlighting what they consider significant. Entries cover interdependent topics on teaching and learning, aesthetics and ethics, curricula and history, culture and community, various populations and their needs, theatre for young people, digital technology, narrative and pedagogy, research methods, Shakespeare and Brecht, other various modes of theatre and the education of theatre teachers. It aims to serve as the standard reference book for theatre/drama education researchers, policymakers, practitioners and students around the world. A basic companion for researchers, students, and teachers, this sourcebook outlines the key concepts that make the field prominent in the sphere of Arts Education.

Editors and Affiliations

  • University of Haifa, Haifa, Israel

    Shifra Schonmann

Bibliographic Information

  • Book Title: Key Concepts in Theatre/Drama Education

  • Editors: Shifra Schonmann

  • DOI: https://doi.org/10.1007/978-94-6091-332-7

  • Publisher: SensePublishers Rotterdam

  • eBook Packages: Humanities, Social Sciences and Law, Education (R0)

  • Copyright Information: SensePublishers 2011

  • eBook ISBN: 978-94-6091-332-7Published: 22 July 2011

  • Edition Number: 1

  • Number of Pages: XII, 378

  • Topics: Creativity and Arts Education

Societies and partnerships

Buy it now

Buying options

eBook USD 49.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Other ways to access