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Evolutionary and Biologically Inspired Music, Sound, Art and Design

First International Conference, EvoMUSART 2012, Málaga, Spain, April 11-13, 2012, Proceedings

  • Conference proceedings
  • © 2012

Overview

Editors:
  1. Penousal Machado

    1. Faculty of Sciences and Technology, Department of Informatics Engineering, University of Coimbra, Coimbra, Portugal

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  2. Juan Romero

    1. School of Computer Science, Department of Communications and Information Technologies, University of A Coruña, Coruña, Spain

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  3. Adrian Carballal

    1. School of Computer Science, Department of Communications and Information Technologies, University of A Coruña, Coruña, Spain

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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 7247)

Part of the book sub series: Theoretical Computer Science and General Issues (LNTCS)

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Conference proceedings info: EvoMUSART 2012.

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Table of contents (20 papers)

  1. Front Matter

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  2. Generative Choreography: Animating in Real-Time Dancing Avatars

    • Rui Filipe Antunes, Frederic Fol Leymarie
    Pages 1-10

  3. Aesthetic 3D Model Evolution

    • Steve Bergen, Brian J. Ross
    Pages 11-22

  4. A Local Search Interface for Interactive Evolutionary Architectural Design

    • Jonathan Byrne, Erik Hemberg, Anthony Brabazon, Michael O’Neill
    Pages 23-34

  5. Evolving a Library of Artistic Scene Descriptors

    • Simon Colton
    Pages 35-47

  6. Evolving Pop Art Using Scalable Vector Graphics

    • E. den Heijer, A. E. Eiben
    Pages 48-59

  7. Maintaining Population Diversity in Evolutionary Art

    • E. den Heijer, A. E. Eiben
    Pages 60-71

  8. Populations of Populations: Composing with Multiple Evolutionary Algorithms

    • Arne Eigenfeldt, Philippe Pasquier
    Pages 72-83

  9. Fuzzy Rule Based System Ensemble for Music Genre Classification

    • Francisco Fernández, Francisco Chávez
    Pages 84-95

  10. A Computational Environment for the Evolutionary Sound Synthesis of Birdsongs

    • José Fornari
    Pages 96-107

  11. A Platform for Evolving Controllers for Simulated Drawing Robots

    • Gary Greenfield
    Pages 108-116

  12. Learning Comparative User Models for Accelerating Human-Computer Collaborative Search

    • Gregory S. Hornby, Josh Bongard
    Pages 117-128

  13. Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?

    • Colin G. Johnson
    Pages 129-140

  14. Interactive Evolution of 8–Bit Melodies with Genetic Programming towards Finding Aesthetic Measures for Sound

    • Maximos A. Kaliakatsos–Papakostas, Michael G. Epitropakis, Andreas Floros, Michael N. Vrahatis
    Pages 141-152

  15. Investigating Aesthetic Features to Model Human Preference in Evolutionary Art

    • Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu
    Pages 153-164

  16. The Traveling Percussionist

    • Phil Lopes, Paulo Urbano
    Pages 165-175

  17. Genetic Programming for Musical Sound Analysis

    • Róisín Loughran, Jacqueline Walker, Michael O’Neill, James McDermott
    Pages 176-186

  18. Expression-Based Evolution of Faces

    • Penousal Machado, João Correia, Juan Romero
    Pages 187-198

  19. Graph Grammars as a Representation for Interactive Evolutionary 3D Design

    • James McDermott
    Pages 199-210

  20. Polyphonic Transcription: Exploring a Hybrid of Tone Models and Particle Swarm Optimisation

    • Somnuk Phon-Amnuaisuk
    Pages 211-222
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  1. Evolutionary and Biologically Inspired Music, Sound, Art and Design

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About this book

This book constitutes the refereed proceedings of the First International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2012, held in Málaga, Spain, in April 2012, colocated with the Evo* 2012 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. Due to its significant growth in the last 10 years, this 10th EvoMUSART event has become an Evo* conference in 2012. The 15 revised full papers and 5 poster papers presented were carefully reviewed and selected from 43 submissions. They cover a wide range of topics reflecting the current state of research in the field, including theory, generation, computer aided creativity, computational creativity, and automation.

Editors and Affiliations

  • Faculty of Sciences and Technology, Department of Informatics Engineering, University of Coimbra, Coimbra, Portugal

    Penousal Machado

  • School of Computer Science, Department of Communications and Information Technologies, University of A Coruña, Coruña, Spain

    Juan Romero, Adrian Carballal

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