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Transdisciplinary Digital Art

Sound, Vision and the New Screen

  • Conference proceedings
  • © 2008

Overview

Editors:
  1. Randy Adams
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  2. Steve Gibson
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  3. Stefan Müller Arisona
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Part of the book series: Communications in Computer and Information Science (CCIS, volume 7)

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Table of contents (38 papers)

  1. Front Matter

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  2. Introduction: Why Transdisciplinary Digital Art?

    1. Introduction: Why Transdisciplinary Digital Art?

      • Steve Gibson
      Pages 1-2

  3. I Philosophies of the Digital

    1. Front Matter

      Pages 3-3
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    2. The Ethics of Aesthetics

      • Don Ritter
      Pages 5-14

    3. Ethical and Activist Considerations of the Technological Artwork

      • David Cecchetto
      Pages 15-25

    4. DIY: The Militant Embrace of Technology

      • Marcin Ramocki
      Pages 26-32

    5. Tuning in Rorschach Maps

      • Will Pappenheimer
      Pages 33-45

    6. Body Degree Zero Anatomy of an Interactive Performance

      • Alan Dunning, Paul Woodrow
      Pages 46-59

    7. Artificial, Natural, Historical

      • Julian Rohrhuber
      Pages 60-70

    8. The Colour of Time (God Is a Lobster and Other Forbidden Bodies)

      • Johnny Golding
      Pages 71-79

    9. Behind the Screen: Installations from the Interactive Future

      • Ted Hiebert
      Pages 80-97

  4. II Digital Literacies

    1. Front Matter

      Pages 99-99
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    2. Transliteracy and New Media

      • Sue Thomas
      Pages 101-109

    3. Digital Archiving and "The New Screen"

      • John F. Barber
      Pages 110-119

    4. Digital Fiction: From the Page to the Screen

      • Kate Pullinger
      Pages 120-126

    5. The Present [Future] of Electronic Literature

      • Dene Grigar
      Pages 127-142

    6. Transient Passages: The Work of Peter Horvath

      • Celina Jeffery
      Pages 143-152

  5. III Multimedia Composition and Performance

    1. Front Matter

      Pages 153-153
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    2. Visceral Mobile Music Systems

      • Atau Tanaka
      Pages 155-170

    3. Designing a System for Supporting the Process of Making a Video Sequence

      • Shigeki Amitani, Ernest Edmonds
      Pages 171-186
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About this book

This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), two parallel festivals of digital media art. The work represented in Transdisciplinary Digital Art is a confirmation of the vitality and breadth of the digital arts. Collecting essays that broadly encompass the digital arts, Transdisciplinary Digital Art gives a clear overview of the on-going strength of scientific, philosophical, aesthetic and artistic research that makes digital art perhaps the defining medium of the 21st Century.

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