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Memory & Oblivion

Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1–7 September 1996

  • Conference proceedings
  • © 1999

Overview

Editors:
  1. Wessel Reinink

    1. Utrecht University, The Netherlands

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  2. Jeroen Stumpel

    1. Utrecht University, The Netherlands

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Table of contents (131 papers)

  1. Front Matter

    Pages i-xiv
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  3. The Memory of the Art Historian

    1. Front Matter

      Pages 33-33
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    2. Eurocentrism and Art History? Universal History and the Historiography of the Arts before Winckelmann

      • Thomas DaCosta Kaufmann
      Pages 35-42

    3. The Fondo Cicognara in the Vatican Library: Inventing the Art Library of the Future

      • Philipp Fehl
      Pages 43-56

    4. The Art Historian as Simonides: The Importance of Antique Memory in the Art Library, from Warburg to the Present

      • Derick F. W. Dreher
      Pages 57-62

    5. The Memory of the Painter: Delacroix’s Journal

      • Michèle Hannoosh
      Pages 63-67

    6. Das „Handbuch der Kunstgeschichte“: Die Vermittlung kunsthistorischen Wissens als Anleitung zum ästhetischen Urteil

      • Hubert Locher
      Pages 69-87

    7. The Archive’s Silent Record: Anti-Semitism and the Formation of Aby Warburg’s “Cultural Science”

      • Charlotte Schoell-Glass
      Pages 89-94

    8. Antal and his Critics: A Forgotten Chapter in the Historiography of the Italian Renaissance in the Twentieth Century

      • Deborah L. Krohn
      Pages 95-99

    9. The Private World of Malinche: New Issues in Mexican Art History

      • Rita Eder
      Pages 101-109

    10. Art History in South Africa: Past and Present

      • Alexander E. Duffey
      Pages 111-121

    11. The History of Art Shaping Art?

      • Anca Oroveanu
      Pages 123-130

    12. Technische und rechtliche Aspekte der Verwaltung von Text- und Bildrechten

      • Gerhard Pfennig
      Pages 131-136

    13. Video, ergo sum? Die Kunstgeschichte der virtuellen Bilder zwischen Erinnerungs- und Projektionstechnik

      • Karl Clausberg
      Pages 137-148

  4. Collecting and Recollecting

    1. Front Matter

      Pages 149-149
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Keywords

About this book

Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.

Editors and Affiliations

  • Utrecht University, The Netherlands

    Wessel Reinink, Jeroen Stumpel

Bibliographic Information

  • Book Title: Memory & Oblivion

  • Book Subtitle: Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1–7 September 1996

  • Editors: Wessel Reinink, Jeroen Stumpel

  • DOI: https://doi.org/10.1007/978-94-011-4006-5

  • Publisher: Springer Dordrecht

  • eBook Packages: Springer Book Archive

  • Copyright Information: Kluwer Academic Publishers 1999

  • Hardcover ISBN: 978-0-7923-4213-7Published: 31 December 1999

  • Softcover ISBN: 978-94-010-5771-4Published: 12 November 2012

  • eBook ISBN: 978-94-011-4006-5Published: 06 December 2012

  • Edition Number: 1

  • Number of Pages: XIV, 1114

  • Topics: Fine Arts, History, general, Cultural Heritage, Architecture, general, Anthropology

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