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  • © 2009

Flow, Gesture, and Spaces in Free Jazz

Towards a Theory of Collaboration

Part of the book series: Computational Music Science (CMS)

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Table of contents (14 chapters)

  1. Front Matter

    Pages i-xiii
  2. Getting off Ground

    1. Front Matter

      Pages 1-1
    2. What Is Free Jazz?

      Pages 3-8
    3. Jazz in Transition

      Pages 9-17
  3. The Landscape of Free Jazz

    1. Front Matter

      Pages 19-19
    2. Out of this World

      Pages 21-28
  4. Collaborative Spaces in Free Jazz

    1. Front Matter

      Pages 39-39
    2. The Innards of Time

      Pages 51-62
  5. Gestural Creativity

    1. Front Matter

      Pages 63-63
    2. Geometry of Gestures

      Pages 79-87
  6. What Group Flow Generates

    1. Front Matter

      Pages 99-99
    2. What Is Flow?

      Pages 101-110
    3. The Symbolic Axis of Distributed Identity

      • Marcel Marceau
      Pages 111-120
  7. Epilogue

    1. Front Matter

      Pages 121-121

About this book

The scientific approach of this book transcends the limits of art literature in that it also develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
We exemplify this approach in the framework of free jazz, which is a prototypical creative and collaborative art form. Leader artists such as John Coltrane, Pharoah Sanders, Cecil Taylor, Sun Ra, The Art Ensemble of Chicago, Albert Ayler, Don Cherry, and Archie Shepp are presented in their strongest works and theories.
The pillars of our theory of collaboration are built from psychologist Mihaly Csikszentmihalyi’s flow, physicist Gilles Châtelet’s gestures, and computer scientist Bill Wulf's collaboratories.

Reviews

"Managing innovation and spurring team creativity while working under constraints are key ingredients for success in today’s industries. Surprisingly enough, there is an artistic domain in which such concerns are also paramount--jazz improvisation. While understanding how such multifarious collaborations can be encouraged and even nurtured is still a work in progress, this book offers some suggestions on how such endeavors can be approached and theorized, at least in the world of 20th century free jazz music.[...] In summary, the suggested line of thought about the science of collaboration is obviously still undergoing work, and some issues are somewhat abstruse. Anyone interested in the emergence of collaboration, be it in musical, artistic, or innovative processes, will get something out of this book." P. Jouvelot, ACM Computing Reviews, May 2009

"[This book] is at once a contribution to mathematical music theory, the first volume in a Springer-Verlag series on computational music science, and a manifesto on contemporary free jazz as a cultural achievement. ... As a manifesto on the music of a most gifted mathematician, or the mathematically inflected thought of a gifted musician, Mazzola’s book exhibits the kind of energy, vision and passion that he brings to his vocation, and we are richer for it." Charles Turner (2011): Book Review, Jazz Perspectives, 5:1, 105-109

Authors and Affiliations

  • Minneapolis, USA

    Guerino B. Mazzola

  • Dept. Philosophy, University of Minnesota, Twin Cities, Minneapolis, USA

    Paul B. Cherlin

Bibliographic Information

Buy it now

Buying options

eBook USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access