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Music, Gestalt, and Computing

Studies in Cognitive and Systematic Musicology

  • Conference proceedings
  • © 1997

Overview

Editors:
  1. Marc Leman
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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 1317)

Part of the book sub series: Lecture Notes in Artificial Intelligence (LNAI)

Included in the following conference series:

Conference proceedings info: JIC 1996.

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Table of contents (35 papers)

  1. Front Matter

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  2. Introduction

    Pages 1-9

  3. Origin and nature of cognitive and systematic musicology: An introduction

    • Marc Leman, Albrecht Schneider
    Pages 11-29

  4. Systematic, cognitive and historical approaches in musicology

    • Jukka Louhivuori
    Pages 30-41

  5. Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach

    • Michael Weber
    Pages 42-56

  6. Gestalt concepts and music: Limitations and possibilities

    • Mark Reybrouck
    Pages 57-69

  7. Logic, gestalt theory, and neural computation in research on auditory perceptual organization

    • Randolph Eichert, Lüder Schmidt, Uwe Seifert
    Pages 70-88

  8. Knowledge in music theory by shapes of musical objects and sound-producing actions

    • Rolf Inge Godøy
    Pages 89-102

  9. Statistical gestalts — Perceptible features in serial music

    • Elena Ungeheuer
    Pages 103-113

  10. “Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited

    • Albrecht Schneider
    Pages 115-143

  11. Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation

    • Marc Leman, Francesco Carreras
    Pages 144-168

  12. Self-organizing neural nets and the perceptual origin of the circle of fifths

    • Nicola Cufaro Petron, Matteo Tricarico
    Pages 169-180

  13. A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality

    • Richard Parncutt
    Pages 181-199

  14. ‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl

    • Daniel Werts
    Pages 200-213

  15. Problems of shape and background in sounds with inharmonic spectra

    • Jenö Keuler
    Pages 214-224

  16. A method of analysing harmony, based on interval patterns or “Gestalten”

    • Roland Eberlein
    Pages 225-236

  17. Neural network models for the study of post-tonal music

    • Eric Isaacson
    Pages 237-250

  18. Tempo relations: Is there a psychological basis for proportional tempo theory?

    • Marek Franěk, Jiří Mates
    Pages 251-262

  19. A framework for the subsymbolic description of meter

    • Dirk Moelants
    Pages 263-276

  20. Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface

    • Emilios Cambouropoulos
    Pages 277-293
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About this book

This book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music.

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