Production Methods

1. Front Matter

   Pages i-viii

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2. Introduction

   • Kim Halskov Madsen

   Pages 1-5

3. Evaluating Software Engineering Modelling Concepts for Interactive Narratives Design

   • Mikael B. Skov, Lars Bo Eriksen

   Pages 6-17

4. Interaction Styles in Development Tools for Virtual Reality Applications

   • Jesper Kjeldskov, Jan Stage

   Pages 18-38

5. In the Mists of Prehistory: Scriptwriting for Interactive 3D Documentaries on the Nordic Bronze Age

   • Hanne Dankert, Niels Erik Wille

   Pages 39-59

6. From Music to 3D Scenography and Back Again

   • Morten Constantin Lervig

   Pages 60-76

7. The Making of a Pedagogical Tool for Picture Analysis and Picture Construction

   • Søren Kolstrup

   Pages 77-91

8. From Archaeological Findings over Scale Models and Pencil Drawings to Digital Images

   • Bjørn Laursen, Kim Halskov Madsen

   Pages 92-124

9. Dramaturgy in Building Multimedia Performances: Devising and Analysing

   • Torunn Kjølner, Janek Szatkowski

   Pages 125-148

10. The Family Factory: Developing New Methods for Live 3D Animation

    • Jørgen Callesen

    Pages 149-185

11. The Evolution of Computer Bugs: An Interdisciplinary Team Work

    • Ole Caprani, Jakob Fredslund, Jørgen Møller Ilsøe, Jens Jacobsen, Line Kramhøft, Rasmus B. Lunding et al.

    Pages 186-215

12. Artists in the Virtual Studio

    • Morten Constantin Lervig, Kim Halskov Madsen

    Pages 216-248

13. Morgana: From Vision to Visualisation

    • Marie Christensen, Bettina Lamm

    Pages 249-269

14. Back Matter

    Pages 271-271

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Kim Halskov Madsen Up until a few decades ago, business administration and science were the primary areas in which computers were applied, but terms like pervasive computing reflect that interactive computing power is becoming an embedded part of people's every­ day environment, not only office buildings and private homes but also art and cul­ At one of the frontiers of multimedia applications computers are used as tural events. part of experimental theatre, puppet theatre, musical performances, museums, entertainment, and learning. In some of these domains, people interact with the computers using a mouse, keyboard and a 17-inch monitor, but present-day inter­ faces take a variety of forms, including motion-capture technology and displays of up to several metres in height and width. The trend of applying computer technologies in the domain of art and culture has been one of the pivots of a Danish research project, Staging of Virtual Inhabited 3D Spaces. The results of the project are presented in a series of four volumes, of which this book is the last one. The three other publications are: Virtual Interaction: Interaction in Virtual Inhabited 3D Worlds; Virtual Space: The Spatiality of Virtual Inhabited 3D Worlds; and 3D Applications: Applications with Virtual Inhabited 3D Worlds.

• 3D
• Animation
• Art
• Desing
• Film production
• Game Development
• Multimedia
• Multimedia Applications
• Performance
• Software Engineering
• Theatre Production
• virtual reality
• visualization

• Information and Media Studies, Aarhus University, Åhus, Denmark

  Kim Halskov Madsen

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